Page 4 of 4 « 1  2  3  4 

I’ve been using the interactive circle of fifths a little less recently. That’s not because I’ve got bored of it or it has ceased to be useful.

The reason is that it’s slowly becoming etched into my brain, which is a good thing.

I generally refer to it once or twice in a typical practice session, for a bit of inspiration. It’s great to be able to record a jam track in a particular mode and then try out different scales and modes over the top, for effect.

For instance, I recorded a chord progression using mainly chords Em, F and G and a “chorus” section of C, Am and G. These are all chords in the key of C (or Am).

If you simply play the C major scale over the top of this type of chord progression, you will find that you are, with very little effort, switching between different modes.

Over the first section, you will be in Phrygian mode.. This is because you are using chords from C but using the Em as a base, playing the C scale with the E note as your root.

For the middle section, you will find you are switching between C Ionian (major), A Aeolian (minor) and G Lydian modes, depending on how long your chord progression spends on C and Am.

To spice it up further, you could experiment with using different scales over different sections of the chord progression. This is where it starts to get really interesting.

For instance, try playing a G scale over the Em and G scales. The key here is experimentation to figure out in your own head what you think works or not.

You could even play scales or arpeggios for each chord, so when you are over Em, play Em scales, when over F, play F scales etc…

There are no real laws or rules, just pointers and guidelines. OK, that’s not even strictly true. Sometimes something sounds terrible and there is a very good explanation as to why it sounds bad.

But quite often you will stumble upon something unexpected, which works really nicely, and that you haven’t tried before.

To assist with the learning process, it really helps to have some means of recording yourself. I use my PC, an effects box and some recording software like audacity. But an accoustic guitar, mic and tape deck would do just as well.

For more serious recording enthusiasts, you obviously need more serious kit!

Tags: , ,


Follow theguitarmaster on Twitter


Leave a Reply?

OR REPLY BELOW ...




You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

 Page 4 of 4 « 1  2  3  4 

Jason Becker:

This is a pretty amazing story:

Jason Becker on Wikipedia

Tags: ,


Follow theguitarmaster on Twitter


Leave a Reply?

OR REPLY BELOW ...




You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

 Page 4 of 4 « 1  2  3  4 

This is another article that will probably be expanded on over time. It will appear on the front page when updates are made….

  • Start out by thinking of a major key, so for example, C major.
  • Now think about what the relative minor is, so the 6th chord in the key. In this case, A minor. We’ll talk about A minor again in a moment.
  • But first, still in the key of C, think about your fourth and fifth chords, F and G
  • A minor is in the key of C. A minor is also in the key of F. A minor is also in the key of G.
  • This works for any three adjacent keys in the circle of fifths. Pick the middle one, and think about it’s 6th degree (or relative minor). That chord also appears in the neighbouring keys, either side.
  • To prove it, E minor is in the key of G, as well as C and D.
  • Try it out on the interactive circle of fifths. That’s all for now.

And to expand on this, it also works for the minor keys, working with the relative major….

  • Think about A minor.
  • Either side of A on the circle of fifths you find D and E.
  • C major (the relative of A minor) can be found in the key of A minor, D minor and E minor.
  • From that you can continue to figure out that C major is also in the key of F major (relative to D minor) and G major (relative to E minor)

These exercises will help you to become more familiar with the circle of fifths and it’s uses, without having to refer to diagrams, or other reference material.

Tags: , ,


Follow theguitarmaster on Twitter


Leave a Reply?

OR REPLY BELOW ...




You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

 
 
 Page 4 of 4 « 1  2  3  4